Loui Jover is a talented Australian artist with an impressive body of work, due in part to his personal compulsion to draw something new everyday. His unique art style consists of flowing ink caricatures on glued together pages from vintage books; an aesthetic he likes because of its “fragility… as if the wind may blow them away at any moment.” He also believes that the “hand drawn stark black lines, against the intricate printed words of the book pages offer a strange fusion and depth.” We got together with Loui – a very friendly and likeable guy – to discuss everything from exotic inks to time travel. We talked about his art too, of course, but I think his drawings speak for themselves.
PRISM: It would appear your favourite medium is ink on paper. How did you get into using these materials, and why do you prefer them over others?
Ink on paper is indeed my favourite medium, I have chosen this media over others because of its versatility and quality, and for the significance that ink has as a foundation medium of visual art itself – particularly drawing, which is my chosen form of artistic expression.
The front cover of our first issue features a Melbourne artist with squid ink poured over her body. Have you ever thought to use squid ink to create an art piece?
Squid ink sounds great. I am not sure of its properties though… Would it smell? Does it keep its pigment or fade quickly? I have used things like merlot and walnut ink in my drawings before, but nothing as far out as squid ink. I think it would be cool, and apparently it has some sex appeal right now… as far as your cover is concerned!
Well, apparently a bunch of scientists took an ink sac from a 150 million year old squid fossil, mixed it with an ammonia solution, and used it to draw a picture of the squid! The picture looks pretty good, considering how old the ink was, and that it was drawn by scientists.
Haha, I guess you would get a few scientists about who are perhaps also repressed artists. It sounds great, I like the use of media that is different and interesting, as long as it’s not too gimmicky. I think squid ink would be great to use.
In most of your artworks, you use pages from books to form a canvas. Is there something particular about using recycled paper that appeals to you?
At first I glued book pages together because that was all I had, and I couldn’t afford to buy paper. At that time I was using found cardboard sheets, brown wrapping paper and other things to draw on, but the book pages just looked good to go once glued together. Also, the use of recycled paper really appeals to me on a number of levels; I much prefer marked, foxed and stained papers to white, virginal sheets of stock.